Publications by Rita Cucchiara

The use of Recurrent Neural Networks for video captioning has recently gained a lot of attention, since they can be used both to encode the input video and to generate the corresponding description. In this paper, we present a recurrent video encoding scheme which can discover and leverage the hierarchical structure of the video. Unlike the classical encoder-decoder approach, in which a video is encoded continuously by a recurrent layer, we propose a novel LSTM cell, which can identify discontinuity points between frames or segments and modify the temporal connections of the encoding layer accordingly. We evaluate our approach on three large-scale datasets: the Montreal Video Annotation dataset, the MPII Movie Description dataset and the Microsoft Video Description Corpus. Experiments show that our approach can discover appropriate hierarchical representations of input videos and improve the state of the art results on movie description datasets.

Automatic layout analysis has proven to be extremely important in the process of digitization of large amounts of documents. In this paper we present a mixed approach to layout analysis, introducing a SVM-aided layout segmentation process and a classification process based on local and geometrical features. The final output of the automatic analysis algorithm is a complete and structured annotation in JSON format, containing the digitalized text as well as all the references to the illustrations of the input page, and which can be used by visualization interfaces as well as annotation interfaces. We evaluate our algorithm on a large dataset built upon the first volume of the “Enciclopedia Treccani”.

Awareness of the road scene is an essential component for both autonomous vehicles and Advances Driver Assistance Systems and is gaining importance both for the academia and car companies. This paper presents a way to learn a semantic-aware transformation which maps detections from a dashboard camera view onto a broader bird's eye occupancy map of the scene. To this end, a huge synthetic dataset featuring 1M couples of frames, taken from both car dashboard and bird's eye view, has been collected and automatically annotated. A deep-network is then trained to warp detections from the first to the second view. We demonstrate the effectiveness of our model against several baselines and observe that is able to generalize on real-world data despite having been trained solely on synthetic ones.

Despite the advent of autonomous cars, it's likely - at least in the near future - that human attention will still maintain a central role as a guarantee in terms of legal responsibility during the driving task. In this paper we study the dynamics of the driver's gaze and use it as a proxy to understand related attentional mechanisms. First, we build our analysis upon two questions: where and what the driver is looking at? Second, we model the driver's gaze by training a coarse-to-fine convolutional network on short sequences extracted from the DR(eye)VE dataset. Experimental comparison against different baselines reveal that the driver's gaze can indeed be learnt to some extent, despite i) being highly subjective and ii) having only one driver's gaze available for each sequence due to the irreproducibility of the scene. Eventually, we advocate for a new assisted driving paradigm which suggests to the driver, with no intervention, where she should focus her attention.

In this paper, we propose a multimodal deep learning architecture for emotion recognition in video regarding our participation to the audio-video based sub-challenge of the Emotion Recognition in the Wild 2017 challenge. Our model combines cues from multiple video modalities, including static facial features, motion patterns related to the evolution of the human expression over time, and audio information. Specifically, it is composed of three sub-networks trained separately: the first and second ones extract static visual features and dynamic patterns through 2D and 3D Convolutional Neural Networks (CNN), while the third one consists in a pretrained audio network which is used to extract useful deep acoustic signals from video. In the audio branch, we also apply Long Short Term Memory (LSTM) networks in order to capture the temporal evolution of the audio features. To identify and exploit possible relationships among different modalities, we propose a fusion network that merges cues from the different modalities in one representation. The proposed architecture outperforms the challenge baselines (38.81% and 40.47%): we achieve an accuracy of 50.39% and 49.92% respectively on the validation and the testing data.

In the last years video has been swamping the Internet: websites, social networks, and business multimedia systems are adopting video as the most important form of communication and information. Video are normally accessed as a whole and are not indexed in the visual content. Thus, they are often uploaded as short, manually cut clips with user-provided annotations, keywords and tags for retrieval. In this paper, we propose a prototype multimedia system which addresses these two limitations: it overcomes the need of human intervention in the video setting, thanks to fully deep learning-based solutions, and decomposes the storytelling structure of the video into coherent parts. These parts can be shots, key-frames, scenes and semantically related stories, and are exploited to provide an automatic annotation of the visual content, so that parts of video can be easily retrieved. This also allows a principled re-use of the video itself: users of the platform can indeed produce new storytelling by means of multi-modal presentations, add text and other media, and propose a different visual organization of the content. We present the overall solution, and some experiments on the re-use capability of our platform in edutainment by conducting an extensive user valuation %with students from primary schools.

In this paper, we propose a new method for customized summarization of egocentric videos according to specific user preferences, so that different users can extract different summaries from the same stream. Our approach, tailored on a cultural heritage scenario, relies on creating a short synopsis of the original video focused on key shots, in which concepts relevant to user preferences can be visually detected and the chronological flow of the original video is preserved. Moreover, we release a new dataset, composed of egocentric streams taken in uncontrolled scenarios, capturing tourists cultural visits in six art cities, with geolocalization information. Our experimental results show that the proposed approach is able to leverage user's preferences with an accent on storyline chronological flow and on visual smoothness.

Fast and accurate upper-body and head pose estimation is a key task for automatic monitoring of driver attention, a challenging context characterized by severe illumination changes, occlusions and extreme poses. In this work, we present a new deep learning framework for head localization and pose estimation on depth images. The core of the proposal is a regression neural network, called POSEidon, which is composed of three independent convolutional nets followed by a fusion layer, specially conceived for understanding the pose by depth. In addition, to recover the intrinsic value of face appearance for understanding head position and orientation, we propose a new Face-from-Depth approach for learning image faces from depth. Results in face reconstruction are qualitatively impressive. We test the proposed framework on two public datasets, namely Biwi Kinect Head Pose and ICT-3DHP, and on Pandora, a new challenging dataset mainly inspired by the automotive setup. Results show that our method overcomes all recent state-of-art works, running in real time at more than 30 frames per second.

In this paper, we propose a novel scene detection algorithm which employs semantic, visual, textual and audio cues. We also show how the hierarchical decomposition of the storytelling video structure can improve retrieval results presentation with semantically and aesthetically effective thumbnails. Our method is built upon two advancements of the state of the art: 1) semantic feature extraction which builds video specific concept detectors; 2) multimodal feature embedding learning, that maps the feature vector of a shot to a space in which the Euclidean distance has task specific semantic properties. The proposed method is able to decompose the video in annotated temporal segments which allow for a query specific thumbnail extraction. Extensive experiments are performed on different data sets to demonstrate the effectiveness of our algorithm. An in-depth discussion on how to deal with the subjectivity of the task is conducted and a strategy to overcome the problem is suggested.